V/A - Ingredients: Step 2

V/A - Ingredients: Step 2
Label - Cookin
Released - 2001
Style - Future Jazz, Downtempo

1 K-Scope - Sleight Of Eye (05:31)
2 Lacarno & Burns - Bossa Perduta (05:06)
3 Artemis - Jupiter In Taurus (05:56)
4 Cedar - Golden (05:41)
5 K-Scope - Dawn Of A New Age (08:34)
6 Aphratec - Quebec (07:31)
7 Meeting Minds - Strong Nature (07:32)
8 Life On Mars & Mantavani - Buckweed (07:36)
9 Realside - Reality (04:58)

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V/A - Soulfood

VA - Soulfood
Label - Cookin
Released - 1999
Style - Future Jazz, Downtempo

Cookin Records (a subsidiary of LTJ Bukem's Good Looking Records) was created in 1999 to showcase artists on the Downtempo tip. These comps are great if you're into the more Downtempo/Jazz stuff...

Tracklist:
1 Intersperse - Du Bi True (8:44)
2 Blame - Fifth Sun (4:57)
3 Artemis - Second Sight (5:13)
4 Vincent - Golden Gate (4:39)
5 Blame & Odyssey - Twin Moon (5:45)
6 Blu Mar Ten - Special Thermometer (4:45)
7 Odyssey - Solstice (5:17)
8 Flying Fish - Lucy's Song (5:05)
9 K-Scope - Sonic Street (5:35)
10 K-Scope - Orientations (5:15)
11 The Architex feat DJ Ink - Give Me Some Time (7:40)
12 Bjorn - New Form Of Life (5:10)
13 Longers - The Brain (4:30)

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Andrea Parker - Here's One I Made Earlier

Andrea Parker - Here's One I Made Earlier
Label - Touchin Bass
Released - xxx
Style - Breaks, Electro, Ambient

(review from Boomkat)
"Here's One I Made Earlier" brings together some of Parker's most sought-after and long unavailable material for the likes of the Infonet label, tracks like the immense Angular Art (written with David Morley and now an astonishing 12 years old) or the incredibly spacious "Invasion". In fact every track here is pure goodness - and it's about time they were made available again for a new generation of listeners who no doubt have long abandoned hope of finding the originals. A brilliant, inspiring selection of tracks.

Tracklist:
1 After Dark (8:49)
2 Undercurrents (7:17)
3 Invasion (5:34)
4 Too Good To Be Strange (7:17)
5 Time Zones (7:19)
6 Frogspawn (7:45)
7 Empty Words (5:06)
8 Unconnected (7:03)
9 Nearly There (3:02)
10 The Swamp (5:26)
11 Angular Art (7:24)
12 Too Strange To Be Good (6:17)

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Andrea Parker - Kiss My Arp Instrumentals

Andrea Parker - Kiss My Arp Instrumentals
Label - Mo Wax
Released - 1999
Style - Electronic, Electro, Abstract, Instrumental, Downtempo

GRAB THIS! It's so good. Shouts to Michael for hooking it up!

Tracklist:
1 Breaking The Code (Instrumental) (6:29)
2 In Two Minds (Instrumental) (5:59)
3 Clutching At Straws (Instrumental) (5:14)
4 Melodius Thunk (7:16)
5 Some Other Level (Instrumental) (6:57)
6 Ballbreaker (10:20)
7 Elements Of Style (5:03)
8 Going Nowhere (Instrumental) (5:33)
9 Sneeze (1:55)
10 Lost Luggage (Instrumental) (5:48)
11 Return Of The Rocking Chair (Instrumental) (7:06)
12 Exclamation Mark! (2:05)

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Sandoz - Digital Lifeforms (Redux)

Sandoz - Digital Lifeforms (Redux)
Record date: 1992-93
Genre: Electronic
Style: House, Techno, Experimental
Credits: Artwork By [Sleeve] - Designers Republic, The
Mastered By [Original] - George Peckham
Mastered By [Remaster] - Dennis Blackham*
Producer - Sandoz
Written-By - Richard H. Kirk
Notes: Recorded at Western Works Studios, Sheffield (1992/93).
Similar to CV's Plasticity. Disc 1 was originally released as 'Digital Lifeforms' in 1993 on Touch. Disc 2 contains bonus material to this re-release, recorded in the same years. Track 8 on disc 2 ("Medium Cool") is the very first track recorded by Richard H. Kirk under the name Sandoz, in 1992.

Tracklisting:
1-01 Armed Response (7:43)
1-02 Chocolate Machine (7:34)
1-03 Digital Lifeforms (8:05)
1-04 Human Spirit (7:00)
1-05 Drum Meditation (7:01)
1-06 Limbo (8:47)
1-07 Zombie Astral (8:27)
1-08 Beam (6:47)
1-09 Steel Tabernacle (7:52)
1-10 White Darkness (9:10)
2-01 Communicate (With The Future) (7:03)
2-02 Ocean Reflection (8:53)
2-03 Tribal Warfare (7:43)
2-04 White Tab / Steel Darkness (Tetrodotoxin Mix) (9:27)
2-05 Erzulie (7:27)
2-06 Human Spirit (Original Dub And Roll Mix) (6:59)
2-07 Zombie Savane (7:02)
2-08 Medium Cool (10:15)
2-09 Shanpwel (6:04)
2-10 Mirror (3:37)

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Andrea Parker - Groovetech Radio sets (RARE!)

For those who don't know, Groovetech was an online powerhouse of electronic music - featuring a record shop and internet radio entity which spanned many cities across the globe. They had some of the best DJ sets featured weekly (live) including the Electrochair Sessions, bringing DJs like Andrew Weatherall, Radioactive Man, Tipper and Andrea Parker to name a few. I was lucky enough to find someone in Canada who somehow had amassed a handful of the .rm files from select radio sesssions. I got the DVD, and spent at least 2 months painstakingly going through the .rm audio and taking out the little pops and clicks, cleaning up the audio and converting to mp3. Even with my seemingly expansive knowledge of underground Electronic/Electro tunes, there are only a few tracks from all those sets that I recognize! These Andrea Parker sets are some of the best from that batch. She plays a ton of classic Electro and Miami Bass, including 2 Live Crew - along with a bunch of obscure dark Electro that I had never heard before.

So grab these sets - I seriously doubt you will ever find them anywhere else! Groovetech went out of business seemingly overnight (sometime in 2002 I believe) and there's hardly any record of them existing anywhere online. Maybe one day someone will release a huge archive of the DJ sets from Groovetech Radio, but right now it seems I am one of the very few who has archived sets. Enjoy!

Andrea Parker - GT Radio 2002-03-22 Part 1 download
Andrea Parker - GT Radio 2002-03-22 Part 2 download
Andrea Parker - GT Radio 2002-07-04 Part 1 download
Andrea Parker - GT Radio 2002-07-04 Part 2 download

Here's a short bio, well written by John Carney for www.tangents.co.uk:

I guess that in the same way Kent Records took soul music beyond the clubs, then in the early ‘90s labels like Warp took electronic music into new surroundings with a series of active listening full-length sets. These recordings by the likes of LFO, Nightmares In Wax, Black Dog, B12, Autechre, Speedy J, Aphex Twin, Seefeel, and Sabres of Paradise seemed to open up all sorts of new possibilities. This was the future.

Back in the clubs some of the old soul crowd had been converted to the new electronic sounds. Neil Rushton ran the Inferno label, and in 1980 released the Out On The Floor collection, which featured northern soul favourites like Gloria Jones’ 'Tainted Love', Barbara Mills’ 'Queen of Fools', and Eloise Laws’ 'Love Factory'. It also featured 'They’re Talking About Me' by Johnny Bragg, whose story would be told in passing in Jonathan Lethem’s monumental Fortress of Solitude. By 1990 Rushton was running Network Records, and released the Bio Rhythm collection. In his sleevenotes John McCready wrote: “This is the sound that Salvador Dali would have made had he bought an 808 drum machine instead of a paint brush. This sequenced surrealism is a new music for an old age, the kind of sonic art created when human beings fall in love with machines and computers. This is special.” He went on to draw specific links between the new music and Joshie Jo Armstead’s 'I Got The Vibes', a northern soul classic, and 'Tell Me' by Life, an early ‘80s electro torch song on the Factory label.

Jeff Barrett, of Heavenly Records, was a huge fan of 'Tell Me' by Life, and he was the first to tell me about Andrea Parker. This would have been in 1993, and then Andrea was going to do pretty much everything better than anybody else. She was from Kent originally, and knew the classical avant garde, could DJ and create the best techno, electro, hip hop, and just about anything. She could sing with the best of them, and had the looks and presence of a star. He would have signed her but for some contractual difficulties, and anyway she was involved with the Fat Cat crew, at what was then an ineffably cool record shop in a Covent Garden basement selling the most essential electronic adventures on anonymous 12”s.

Andrea’s career never quite took off in the way it should have. Early on she collaborated on some electronic adventures for the Sabrettes label as part of Inky Blacknuss, producing gems like 'Drumulator', which still sound great. This was an incredibly productive period for underground music in the UK. In time she signed to Mo’Wax just about when it was the coolest thing on the planet. A couple of early singles ('Melodious Thunk' and 'The Rocking Chair') hinted at all sorts of possibilities. It would, however, be another frustrating few years by the time a full-length set, Kiss My Arp, was released. Mo’Wax was no longer the centre of attention. DJ Shadow’s moment had passed, and people were looking elsewhere, and sadly not at Andrea. In fairness though some of the best and most visionary Mo’Wax releases also came late in the day, like Urban Tribe, Blackalicious and Quannum, the Divine Styler, and David Axelrod.

Kiss My Arp remains one of the all time great records. Its scope is impressively vast, and its stance refreshingly obtuse. Andrea mixes doomed bass lines, forbiddingly broken beats, elegantly bruised melodies, found sounds, and stately string arrangements (partly courtesy of Will Malone, of 'Unfinished Sympathy' fame and his own works like the Death Line soundtrack). There was also a complementary instrumental set, but for any number of reasons it didn’t sell well. Close collaborator and fellow electronic imaginary David Morley is credited with providing the creative space and occasionally archaic kit to produce this remarkable work. Morley’s own contemporaneous classic, Tilted, was even more cruelly overlooked.

A set for the !K7 DJ Kicks series preceded the Kiss My Arp release, highlighting Andrea’s DJ/mixing skills. The set veered consciously towards the dark side, and she seemed to be playing up this perverse side. An EP, The Dark Ages, a few more years on for Quatermass made this much more explicit. It was as though Andrea had tossed out of the window the rule book that talks about commercialism, concessions, and crossovers. This was spectacularly stubborn inventiveness at its best, and Andrea was the awkward and much needed mischief maker, who still somewhere along the way managed to get herself sponsored by Adidas and Ghost.

Over the next few years Andrea would stick to her guns, having fun DJing where and when she wanted. Rather like fellow maverick J Saul Kane with his DC Recordings, she also ran the fiercely independent electro label, Touchin’ Bass, which provided an outlet for occasional and adventurous, playful and provocative 12”s by her and Morley, as well as providing a platform for like-minded underground souls. A couple of compilation CDs released in 2005 showed that the label’s output was consistently of an incredibly high standard, and representative of what remained important activity in the shadows of popular culture.

Significantly Andrea became close friends with Mira Calix, another gifted electronic expeditionary. Mira released a series of great records for the Warp label, which were up with the best of any active listening full length sets, but they did not receive the approbation that they should have either. I guess that’s what you get for being ahead of the game. Or I guess it’s the price you pay for not properly playing the game.

© 2006 John Carney

For more info on Andrea Parker, or her label Touchin' Bass - check these links:
http://en.wikipedia.org/wiki/Andrea_Parker_(DJ)
http://www.andreaparker.info/
http://touchinbass.com/home.html

Andrea Parker - The Dark Ages EP

Gotta give a huge shout out to Baroquedub for sorting this one out. I didn't know about this EP before, but it's PURE electro - full of analog expression - heavy 808s, tons of bass and discordant atmospherics. I immediately recognized some of the tracks from her Groovetech Radio sets (which I will be posting shortly). If you like oldschool Miami Bass and real Electro (i.e. NOT fischerspooner or any of that hipster bullshit), you absolutely must download this EP!

Andrea Parker - The Dark Ages EP
Label - Quartermass
Released - 2001
Style - Electro, Bass

Tracklist:
1 Empty Words (5:08)
2 The Swamp (5:29)
3 Expedition (5:31)
4 Invasion (5:36)
5 No Excuse (4:46)

Review from Forced Exposure:

"Inky Blacknuss, Two Sandwiches short of a Lunchbox [R&S], Angular Art [Infonet], an acclaimed album Kiss My Arp on Mo' Wax.... these are some of the many projects in which you may find Andrea Parker's touch as composer. Beside an impressive discography, she is of course, a unique DJ, find traces of her ability in the Studio! K7 'DJ Kicks' series. another aspect of her work is the art of 'remixes': Depeche Mode, Patrick Pulsinger, Lamb, Mira Calix (Warp) , The Orb, Tipper, Ryuichi Sakamoto, Steve Reich... another non-exhaustive list. Along with live work with Philip Glass and Bang On A Can. How to define Andrea Parker's particular electronic universe? One might think about some amplified heartbeats recorded during a tribal ceremony, some dry waves of sounds recycled from Andrea's environment, floating sonic ghosts grabbed from vintage machines. If you listen closely, depth is obvious. In the forefront, bass, snares, hats and other rhythmical elements are moving in some kind of molecular agitation, creating a massive structure in which the subtle abstract touches are floating in a non-randomatic disorder. This is surely the purest electro sound you'll find, but don't expect Andrea Parker to make music for dancefloor addicts only. These tracks are ready to make you move, but the more you pay attention the more you get. This might be the missing link in the mutually exclusive worlds of 'techno' and 'experimental music', now breathing side by side. danger is a duty."

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Cabaret Voltaire - Plasticity

Cabaret Voltaire - Plasticity
Label - Plastex
Released - 1992
Style - Electronic, IDM, Experimental, Ambient, Electro

This is one of those albums that we used to play over and over and over again. Mainly because of the movie dialogue about Sherm or PCP and 187s (Track 1 "Low Cool"). The movie apparently never came out due to high production costs, but would have been cool to watch. I gather it was some sort of documentary on gangs/street life or something like that. Even without the movie, CV does an excellent job of creating a soundscape that compliments the dark underbelly of inner-city life. I had lost my copy of the album years ago, but it just recently re-appeared so here it is....

AMG Review:
Re-emerging with a much more original sound after their 1990 house album, Kirk and Mallinder for the most part rely on abstract electro-inspired ambient-techno with extended voice-over samples for Plasticity. It certainly wasn't the first time CV had remade themselves without losing elements of their past work (even re-sampling a passage originally recorded over ten years earlier on "Soul Vine [70 Billion People]"), and Plasticity was an excellent reworking of the house blueprint into the growing fringe of techno not necessarily produced for the dancefloor. The tribal flourishes of "Deep Time" and the obvious signal track "Inside the Electronic Revolution" showcase the duo as continuing visionaries. ~ John Bush, All Music Guide

Tracklisting:
1 Low Cool (6:31)
2 Soul Vine (70 Billion People) (7:50)
3 Resonator (5:54)
4 Inside The Electronic Revolution (5:29)
5 From Another Source (6:49)
6 Deep Time (7:42)
7 Back To Brazilia (6:10)
8 Neuron Factory (4:58)
9 Delmas 19 (6:05)
10 Cooled Out (2:26)
11 Invisible Generation (5:58)
12 Soulenoid (Scream At The Right Time) (8:45)

Notes: Recorded at Western Works Studios, Sheffield, England.
The front cover has a reference to a "Plasticity" 60-minutes video by Ikon under Plastex license ( IKON37 / EXLV04) but the video has never been released, most likely for lack of funds.

Tracks 2 and 12 contain samples taken from "Demon With A Glass Hand" (an episode from the mid-sixties american TV series 'The Outer Limits'). Samples from the same episode had been already used by Cabaret Voltaire in the early 80's in the songs "Stay Out Of It" (The Voice Of America, 1980) and "Yashar" (2X45, 1982).


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Andrea Parker - Kiss My Arp

Andrea Parker - Kiss My Arp
Label - Mo' Wax
Released - 1999
Style - Electro, IDM, Abstract, Downtempo

Another old CD of mine that was misplaced years ago and recently re-emerged. Andrea Parker has been one of my favorite (and most underrated) DJs ever since I caught the few electro sets she dropped on the now defunct Groovetech Radio. I received a promo copy of this when I worked at the radio station, and I remember loving it to death.

Upon sober listening, I must inform you to SKIP tracks 1 and 3 ('The Unknown' and 'Breaking The Code') if, like me, you prefer things Instrumental. The rest of the tunes are just great. My personal top picks from this album are tracks 4, 5, 6, & 7. Amazing stuff!

Perhaps I should post those Andrea Parker sets? If anyone cares, leave a comment and I'll post those. They are rare and I haven't seen them anywhere - not to mention they are extraordinary. Like a cross between classic Electro, Miami Bass and IDM. Her mixing is killer.

Review from The History of Rock & Roll:
Andrea Parker is a classically trained cellist, a disc jockey and, last but not least, an electronic composer with a penchant for analog synthesizers who collaborated with Philip Glass and Steve Reich. She started recording under monikers such as Two Sandwiches Short Of A Lunchbox, and mentored by producer David Morley. After recording Melodious Thunk (Mo Wax, 1995) in an ambient drum'n'bass vein, the following single The Rocking Chair (Mo Wax, 1996) was more like a concert for 40-piece orchestra (reminiscent of Albinoni's adagio) and creative samples than a hip-hop track. The brutal techno of Ballbreaker (1997) established her credentials for punchy dance-music and completed the formative period.

The twelve tracks of Kiss My Arp (Mo Wax, 1999) better highlight her passion for David Sylvian's decadent/exotic elegance and Dead Can Dance's eerie/gothic atmospheres. Parker mixes string orchestrations, hip-hop percussion and heavy bass to create music that is highly seductive. The minimalistic Elements of Style (a Steve Reich-ian concerto of virulent jazzy drums, Caribbean percussions, standup bass), the suspenseful voodoobilly of Going Nowhere (ghostly noises, wild dissonances, tribal drumming) and the ritual music of Clutching At Straws (mournful cello, delicate harp, martial drums and tambourines, eerie electronic noises, metronomic percussions, and a dejected litany), three elaborate compositions that bridge several different genres, coexist with the instrumental Kraftwerk-ian ballets of In Two Minds and Some Other Level, with the pounding syncopated dance music of Breaking The Code, and with the ethereal cantillation, the futuristic polyrhythms and the baroque orchestration of The Unknown (Enya + Bjork + Richard Strauss). The orchestra has rarely been used in such an effective way by a popular singer. Rather than merely enhancing the melody, it provides an ominous emotional counterweight to Parker's delicate vocals. The other significant component, the rhythm, is channeled through terrible schizoid spasms.

Tracklisting:
1 The Unknown
2 Clutching At Straws
3 Breaking The Code
4 In Two Minds
5 Melodious Thunk
6 Some Other Level
7 Elements Of Style
8 Going Nowhere
9 Sneeze
10 Return Of The Rocking Chair
11 Exclamation Mark!

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Harry Mudie re-ups

Thanks fi di patience. Check the original posts for fresh r/s links:
Harry Mudie Meet King Tubby in Dub Conference Vol. 1
Harry Mudie Meet King Tubby in Dub Conference Vol. 2
Harry Mudie Meet King Tubby in Dub Conference Vol. 3
Quad Star Revolution Vols. 1 & 2

Kindly let us know of any other dead links via comments.

Kemet Crew - Champion Jungle Sound re-up

Kemet Crew - Champion Jungle Sound
Label - Kemet
Released - 1995
Style - Electronic, Ragga, Jungle, Amen Murda

* Special Request re-up!

Back to 1995 with this one. The era of real ruffneck Ragga Jungle; brutal Amens, a handful of Ya Bad Sistas, raggamuffin vocals about murder, gunshots and a rude amount of bass.


Tracklist:
1 F.O.I. / Vernon Smith - The Seed (4:15)
2 Brainkillers / Remarc / Junior Saw* / Mr X. - Press The Buzzer (5:23)
3 Remarc - For Real (Remix) (4:19)
4 Lewi - Jungle Love (Part 2) (3:33)
5 Fusion - Live Good (Remix) (4:13)
6 F.O.I. - Champion Of Champions (3:52)
7 Brainkillers - Lovin' Part 1 (5:51)
8 Brainkillers / Schwarznegger - Soul Pill (Remix) (4:42)
9 Brainkillers / Schwarznegger - For Real (4:42)
10 Ribbs - Powering Through (3:13)
11 F.O.I. / Vernon Smith - The Fruit (6:16)
12 Missin - The Box Re-opens (5:50)
13 F.O.I. / Vernon Smith - The Fruit Version (6:21)
14 Lewi - Screwface (Hardcore Mix) (3:18)
15 Fusion - Burn It Down (4:22)
16 F.O.I. / Simpleton - Unity (5:30)

Part 1
Part 2

Various Artists - Dancehall Stylee

RE-UP 28 May 2008

Various Artists - Dancehall Stylee
Label: Trojan
Record date: 1979-85
Album style: Dancehall, Deejay, Reggae

Tracklist:
1. Barry Brown - Dancehall Stylee
2. Barrington Levy - Sweet Reggae Music
3. Poppa Tollo - Get Ready And Reggae
4. Earl Sixteen - Some Gone Astray
5. Leroy Smart - Too Much Pressure
6. Purpleman - Trod Along
7. Don Carlos - Booming Ball
8. Sammy Dread - Labour Ward
9. Anthony Johnson - Dread Locks
10. Junior Keating - African Queen
11. Earl Cunningham - What A Day
12. Earl Sixteen - Play Play
13. Wayne Jarrett - Satta Dread
14. Jah Thomas - Dancehall Connection
15. Charlie Chaplin - Stur-Gav Special
16. Anthony Johnson - Natty Dread Come In A Dance
17. Don Carlos - Ababa John I
18. John Wayne - You Too Greedy
19. Earl Sixteen - Bad Company
20. Earl Cunningham - Violence And Crime
21. Don Carlos - Lazer Beam
22. Poppa Tollo - Nuff Stylee

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Various Artists - Strictly Rub-A-Dub

RE-UP 28 May 2008

Various Artists - Strictly Rub-A-Dub
Label: Trojan
Record date: 1979-85
Album style: Dancehall, Deejay, Reggae

Tracklist:
1. Yellowman & Fathead - Donkey Want Water
2. Poppa Tollo - Ride The Rhythm
3. Charlie Chaplin - Foreign Man Skank
4. Trinity - Psalms
5. Simple Simon - War All Over
6. John Wayne - Heavy Rhythm
7. Clint Eastwood - Fight Inflation
8. John Wayne - Boogie Down
9. U Brown - Me Chat You Rock
10. Ranking Joe - Choice Of Colour
11. Clint Eastwood - It Wasn't Rasta
12. Simple Simon - Revolution Fighters
13. Clint Eastwood - Dance Kork
14. Charlie Chaplin - Don't Leave Your Baby mother
15. Poppa Tollo - Special Request To David Rodigan & Tony Williams
16. Ranking Joe - Cold Blood
17. Purpleman - Sandra Dee Buy Big House For Me
18. General Lucky & Peter Ranking - Ram-A-Jam
19. Simple Simon - Obey Your Mother And Father
20. Jah Thomas & Sister Jackie - Cockee & Pussy

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Various Artists - Dancehall Explosion

RE-UP 28 May 2008

Various Artists - Dancehall Explosion
Label: Trojan
Record date: 1979-85
Album style: Dancehall, Deejay, Reggae

Tracklist:
1. Charlie Chaplin - Entertainer
2. Earl Sixteen - Jah Is The Master
3. Barry Brown - Please Officer
4. Delroy Smith - Round The World
5. Dennis Brown - Unite Brother Man
6. Charlie Chaplin - One Of A Kind
7. Earl Sixteen - Crisis
8. Carlton Livingston - Class Of 69
9. Barry Brown - Chucky Boo
10. Neville Brown - The Right Time
11. Purpleman - King On The Way
12. George Mckay - Money Money
13. Don Carlos - My Baby Just Love I Man
14. Barrington Levy - Collie Weed
15. Anthony Johnson - Sitting Everyday
16. Derrick Pitter - The World And It's People
17. Earl Sixteen - Hey Girl
18. Phillip Fraser - Holding On
19. Cornell Campbell - The Drifter
20. Sister Candy - Connection Connection
21. Don Carlos - Johnnie Big Mouth
22. Triston Palmer - For Health And Strength

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Various Artists - The Biggest Dancehall Anthems 1979-82

Various Artists - The Biggest Dancehall Anthems 1979-82
Label: Greensleeves
Record date: 1979-82
Album style: Dancehall, Deejay, Reggae

Tracklist:
Disk 1
1. Johnny Osbourne - Fally Ranking
2. Barrington Levy - Shine Eye Gal
3. The Wailing Souls - Firehouse Rock
4. General Echo - Bathroom Sex
5. Johnny Osbourne - Ice Cream Love
6. Yellowman - Morning Ride
7. Barrington Levy - Look Youthman
8. Clint Eastwood & General Saint - Another One Bites The Dust
9. Ranking Dread - Fattie Boom Boom
10. Michael Prophet - Gunman
11. Ranking Toyan - How The West Was Won
12. Linval Thompson - Look How Me Sexy
13. Ranking Toyan - Spar Wid Me
14. John Holt - Ghetto Queen
15. Junior Delgado - Love Tickles Like Magic
16. Barrington Levy - Bounty Hunter
17. Johnny Clarke - Jah Love Is With I
18. Wayne Jarrett - Chip In
19. Wayne Wade - Poor And Humble
20. The Wailing Souls - Who No Waan Come

Disk 2:
1. Eek A Mouse - Wa-Do-Dem
2. Yellowman - Yellowman Getting Married
3. Papa Michigan & General Smiley - Diseases
4. Nicodemus - Bone Connection
5. Dennis Brown - To The Foundation
6. Barrington Levy - Mary Long Tongue
7. John Holt - Sweetie Come Brush Me
8. Tony Tuff - Come Fe Mash It
9. The Wailing Souls - Kingdom Rise Kingdom Fall
10. Barrington Levy - River Jordan (Crucifixion)
11. Ranking Joe - River Jordan
12. Triston Palmer & Jah Thomas & Ranking Toyan - Entertainment
13. Don Carlos - I'm Not Crazy
14. Hugh Mundell - Can't Pop No Style
15. The Wailing Souls - Up Front
16. Ranking Dread - Love A Dub
17. Yellowman - Mr Chin
18. Johnny Osbourne - Trying To Turn Me On
19. General Echo Featuring Barrington Levy - Eventide Fire A Disaster
20. Clint Eastwood & General Saint - Tribute To General Echo

Producer : Chris Cracknell & Henry Junjo Lawes

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