Showing posts with label Industrial. Show all posts
Showing posts with label Industrial. Show all posts

Tuesday, September 7, 2010

Zoviet-France - Shouting at the Ground


Label: Charrm
Catalog#: CHARRMCD12
Format: CD, Album, Reissue
Country: UK
Released: 1990
Genre: Electronic
Style: Industrial, Experimental, Ambient 

Tracklist:
1  Smocking Erde      2:52     
2  Palace Of Ignitions     2:14    
3  Come To The Edge     8:50    
4  Revenue Of Fire     2:06    
5  Dybbuk     1:26    
6  Camino Real     1:50    
7  Stocc Blawers     2:22    
8  Fickle Whistle, Hand Over Your Ears     3:35    
9  Carole The Breedbate     1:47    
10 Marrch Dynamic     2:48    
11 Wind Thief     1:35    
12 Shamany Enfluence     21:03    
13 The Death Of Trees   15:14

download

Thursday, July 16, 2009

Various - The Fight Is On



Various - The Fight Is On
Label: L.A.Y.L.A.H. Antirecords
Catalog#: LAY 10
Format: Vinyl LP Compilation
Country: Belgium
Released: 1985
Genre: Electronic, Classical, Industrial, Experimental

Notes
: Comes with printed inner sleeve.



Lustmørd: Extracts from "Paradise Disowned" recorded 04 February 84.
Nurse With Wound: Mixed at I.P.S. Studio, January 85.

Tracklisting:
A1. Coil - Sicktone (3:21)
A2. Current 93 - A Visit To Dogland (6:04)
Featuring - Christ, Isidore Ducasse
Performer - Tibet 93, John Murphy, Linda Verbeek, Steven Stapleton

A3. The Hafler Trio - Blanket (Level Approach) (4:17)
B1. Robert Haigh - Music For Piano (3:03)
B2. Lustmørd - Invocation Of Shiva (4:01)
Performer [Shawn, Spring], Strings [Bow], Gong, Voice - John Murphy
Voice, Noises, Electronics [Generator], Gong, Flute [Ritual], Tape - B. Lustmørd

B3. Lustmørd - Dreams Of Dead Names (2:37)
Performer [Shawn, Spring], Strings [Bow], Gong, Voice - John Murphy
Voice, Noises, Electronics [Generator], Gong, Flute [Ritual], Tape - B. Lustmørd

B4. Nurse With Wound - Stick That Chick And You'll Feel My Steel Trough Your Last Meal (5:44)
Featuring [Guest] - Brian Lustmørd, David Jackman, Tracy Lustmørd
B5. Organum - Talon (1:22)
B6. Organum - Veil (2:05)

d0wnl0d3
1nf0


bw♥hm

93 Current 93 - Dogs Blood Rising

Photobucket


"The theme of this record is nightmare. Falling Back In Fields Of Rape is a precision wicked radio play from noise sculpture Hell, engineered in multipart-progression fashion like Whitehouses Daddo, but more claustrophobic and evocative. St. Peters [sic] Keys All Bloody is a chilling, atmospheric dreamcast of spooky lamentations: malevolently layered fragments of Sounds of Silence & Scarborough Fair, blended with a Hollow Men remix of the Lords Prayer(!) This final track is a haunted house poetry remake of Kraftwerks News."
- shiny9

93 Current 93 - Dogs Blood Rising
Label: L.A.Y.L.A.H. Antirecords
Catalog#: LAY 08
Format: Vinyl LP
Country: Belgium
Released: 1984
Genre: Electronic, Industrial, Experimental, Malevolent

Tracklisting:
A1. Christus Christus (The Shells Have Cracked)
A2. Falling Back In Fields Of Rape
B1. From Broken Cross, Locusts
B2. Raio No Terrasu (Jesus Wept)
B3. St. Peters Keys All Bloody

Notes: Dogs Blood Rising was recorded at Shinju and IPS studios, with the exception of Raio No Terrasu which was recorded live at Bar Maldoror on November 25, 1983, on the thirteenth anniversary of the death of Yukio Mishima through hara-kiri and beheading.

Scratched messages:
A= From the desolate fields
B= Into the heart of the Beast.



d0wnl0d3
1nf0


bw♥hm

Monday, April 14, 2008

Cabaret Voltaire - Eight Crepuscule Tracks


Cabaret Voltaire - Eight Crepuscule Tracks
Label - Les Disques Du Crépuscule
Released - 1988
Style - Electro, Experimental, Industrial

Tracklist:
1 Sluggin' Fer Jesus (Part One) (5:03)
2 Sluggin' Fer Jesus (Part Two) (4:21)
3 Fools Game (Sluggin' Fer Jesus Part Three) (7:13)
4 Yashar (5:02)
5 Your Agent Man (2:39)
6 Gut Level (9:37)
7 Invocation (6:23)
8 Theme From "Shaft" (4:11)

Review by AMG:
An expansion of the original Three Crepuscule Tracks, Eight compiles a variety of slightly random tunes from the group's early eighties days for general consumption. The main cuts are the first, namely the three parts of "Sluggin Fer Jesus." If this cut wasn't the first attempt at what would become one of the most common and ultimately most cliched elements in eighties industrial/EBM -- a found-sound tape of an American evangelist over a dance groove -then it was close. Admittedly, at this stage Cabaret Voltaire wasn't dealing in the kinds of massive 'up yours' rhythm assaults later groups like Front 242 would perfect, but the jittery, reggae/dub-touched beats and arrangement on the first part are still fine stuff from the group. The second part starts with just the preacher (or perhaps another one) asking for yet more money, followed by instrumental snippets of the band fading up and then cutting out back into low synth/production murk. The final part, titled "Fools Game," has a heavily tweaked semi-rap and more crazed pastoral ranting floating around a combination of an older, emptier style of Cabaret Voltaire sonics and slight, but only slight, touches of the electrofunk then making waves. The remainder of the collection is a bit of a mixed bag, but still has some sharp bits. "Yashar," unexpectedly reappearing here from 2 x 45, kicks out a stiff beat and jam pretty well, while much of the latter half of the collection explores the balance between shadowy and more 'smooth' beats and production. The unexpected but still successful surprise wrapping Eight up is nothing other than a surprising faithful if still murky cover of Isaac Hayes' funk classic "Theme from 'Shaft'." Hearing Mallinder go on about the guy who's 'the sex machine to all the chicks' via vocal trickery that makes him sound like he's in a cave is amusing no matter how you slice it. ~ Ned Raggett, All Music Guide


download *sorry AAC format
info

Friday, January 11, 2008

WCVT 89.7FM Towson: Follow Up by Stacy Meyn

(FYI: Stacy's is the voice heard on my WCVT tape, posted earlier here)
((thanks, Stacy))

Happy New Year, y'all!


It's been a few weeks of enjoyable back and forth with Steve, which also rekindled electron herding with Roberta [Cowan] and Linda [Cashell]. We're hunting down old air-checks in hopes of adding to the rips. Pamela [DeVier] and DJ Neska might have some too—as far as I know, Neska is the WCVT tape master, claiming at one point to have a wall's worth of shelves brimming.


Large greetin’s to Skizz and PJ—pleased to read both are alive and seemingly well. I haven’t been in the Charm City area for nearly a decade, having flit off to the Left Coast for employment opportunities. Hard to fathom that it’s been over two decades since I showed up at Towson [State] University with my Depeche Mode t-shirt and an insatiable desire to work in radio.


From 1987 to 1991, I had the distinct pleasure of being on various late night shifts—there was nothing like the thrill of seeing all the phone lines light up as I headed into the booth to start the program. I was honored to speak with many listeners from near and farther away than our transmitter should have been capable of reaching. I’ll never forget the gentleman who thanked me for “bringing intelligence to the airwaves.” Although there were and still are plenty of times when I ain’t bright, I’ll always appreciate that comment.


Thanks also to all of the aforementioned folks for expanding my music base—indeed there was so much more than Mr. Gahan and co.! Many of us would go on to work at An die Musik and expand our collections after the demise of WCVT. Now before anyone spits on me for listing WTMD (maybe someday I’ll tell the Scraping Foetus Off The Wheel story), I did get to cover a few shows of the long-running and much-loved Cosmic Music Experience, before that too, finally went off the air. I am told that even WHFS, at the time the last bastion of “progressive music”, gave up the ghost and submitted to a format change. Sigh.


On a much happier note, there is Steve and his dedication, affording us a chance to revisit better audio times. I am astounded that after all these years, WCVT is so well-remembered and regarded. I count myself among the fortunate who got to share in making station history and I am grateful for the friendships that still thrive. Yeah, yeah, group hug and insulin shot forthcoming!



Cheers,

--Stacy



Anyone else from 'CVT who wishes to post some follow-up thoughts, feel free. That tape was the reason I started my first blog - so that I could put that out there, and without that tape, I probably wouldn't have ever thought about starting a music blog. And now look how big this one has gotten..... you can email me directly to send correspondence and I'll gladly post it up!

Friday, January 4, 2008

WCVT [89.7FM TOWSON] WILL NEVER DIE.

WCVT [89.7FM TOWSON] WILL NEVER DIE.

...not as long as I keep reposting my tape rip. I see that the download links for the tape rip are still active, so might as well bring this one back. Especially after chatting with Skizz, PJ Dorsey and Stacy Meyn as a result of my original WCVT post - all of which made my day, that particular day. Hey guys!

Like this lovely little text from Stacy I received just a couple weeks ago really got me amped up about reposting...

Mine is one of the voices on your recordings. Wild to hear again. Thanks so much for sharing those--Roberta Cowan (who also worked at the station) gave me the headsup about your blog.
I'm happy to answer your questions--what a trip down the proverbial memorex lane...
I should compose a post--would be nice to say hi to PJ and Skizz--it's been forever.
Cheers,

--Stacy

WCVT 1987-1991 and briefly in 1992-1993 after it had become WTMD (spit spit)


Spit Spit indeed. WTMD took over and with it came a flood of poor programming. I'd almost rather have DEAD AIR then to hear the boring adult contemporary bullshit that filled up the 89.7 frequency gap in my fm dial weeks later. Horrible. With this post revival comes a cool article I came across. Hailing from The Towerlight, the article quotes Skizz and puts everything into perspective re: the WTMD takeover...

Broadcasting TSC's voice
Kristi Funderburk
140 Years: Towson's Story | 11/15/06


After decades of strengthening education, advancing athletics, and campus expansion, Towson finally found its voice in 1976 when the campus' FM radio station hit the airwaves.

WCVT-FM was born in a unique time for radio. According to general manager Steve Yasko, the University-owned public radio station started broadcasting just one year after the Sony Walkman was created and just a few years before music television and streaming on the Internet.

"[Technology's] totally changed everything," Yasko said. "Its totally changed the way we think of our business models. Its totally changed the way that we think about how we provide services and what we are as a radio station."

Towson State College's first huge change at the radio station happened at 6:16 p.m. on Thursday, Feb. 12, 1976, as reported by The Towerlight on Feb. 20, 1976. The College Media Center was flooded with excited students and station supporters as "Bop City Revisited" became the first song to play on the new frequency, 89.7 FM.

At the event, The Towerlight recorded then-President James Fisher when he said, "In the end, this will benefit our academic program, the students, and ultimately the greater community."

WCVT-FM put Towson radio in a new frequency, but it wasn't the campus' first station. The station originally opened in the fall of 1971 as WVTS-AM, according to the 1976 article. It didn't take long before business manager Mark Silvert and general manager Steve Curran were thinking bigger, but the two were three years shy from turning their AM reality into their FM dream.

All according to The Towerlight article, there were four requirements Silvert and Curran had to meet before the station could become FM, and two problems were encountered during the evolution process.

The first step in moving from AM to FM is finding a spot on the frequency. When WVTS thought it found the perfect radio band, Morgan State beat Towson State in receiving it. WVTS had to start again. It eventually found a home at 89.7, where Towson University's station WTMD presently remains. Then the station had to find lawyers, buy equipment and get Federal Communication Commission approval.

The work proved worthwhile when by the end of the first week, Curran said operations for the 1,850-watt station were running "really smooth."
"We set program schedules up well in advance of our going on air to minimize problems," Curran told The Towerlight.

The station, according to the 1976 edition of Tower Echoes, ran 18 hours per day, seven days per week playing a format of classical, pop, rock, progressive, jazz, and educational affairs programs.

Despite a format switch over in 1991, when the station with new call letters WTMD focused more on educational value than music played, Skizz Cyzyk, TU alum who worked at WCVT-FM in the 80s, said music was mostly a main focus for the station.

"I was gone by the time it became WTMD," Cyzyk said. "They hired a professional program director, Jim Armstrong. It was always a student election before that. They did things to weed out the music lovers and just have more communication majors on the air."

Cyzyk said he was one of the last of the station's "music lovers" and the WCVT was hard to listen to with the music played on it. Cyzyk described the switch in format and music to WTMD, originally an acronym for Where Towson Makes a Difference, as "earth shaking" for the students who previously ran the station.

"It used to be that local bands would make a demo tap and we'd play it, and they'd have a hit," Cyzyk said. "It was a sad day" when that ended.

But Cyzyk still carries the overall experience. WCVT introduced him to The Flaming Lips, which is still one of his favorite bands. He also spoke of working at the station as a great experience because he helped introduce bands like The Pixies, The Replacements, We Might Be Giants, and bands "nobody heard on the airwaves in Baltimore unless they were listening to CVT."

Even today, Cyzyk is working on a documentary about a singer he first heard at WCVT. "That's how much of an impact CVT had on my life," he said.


Clearly it had a big impact on my life as well, and I wasn't even directly involved. I just wish I had taped more 'CVT while I had the chance. Oh well. Thank the Lard (another band I heard first on WCVT!) this one tape came out just right ;)

So here's the original post...
******************************



WCVT 89.7 FM Towson - Industrial Show [1990]

* This one tape is the only record I could find anywhere of this obscure radio show ever existing. If ANYONE reading this knows anything about WCVT or this Industrial show from Friday nights around late-80s/'90/'91 - please let me know. I'm dying to locate more recorded shows from that station, since they disappeared into thin air without warning :( RIP WCVT


When I was in 8th Grade, I went over to a neighbor’s house and asked if I could have this broken solid-state AM/FM receiver that was sitting in the garage. I took it home, took it apart, cleaned up all the connections and re-sautered ones that were loose. I put it back together, plugged it in and was ecstatic to see the soft amber backlit glow of the FM dial. After searching the FM range slowly for about 2 weeks, looking for signs of life in between the main stations - I finally came across something faint that really sounded strange. It was *just barely* picking up the signal from 89.7FM, Towson MD’s extremely indie college radio station. The call letters were WCVT - and I happened to stumble upon it late one friday night, during the weekly experimental/industrial show. I had to get better reception to figure out what the f*ck they were playing!

My brother had an old GE boombox that he gave me - looked like a piece of shit, but it worked. He said it picked up WHFS really well, so I gave it a shot. Low and behold, this thing had a ’sensitivity boost’ switch that would give a significant boost to the FM reception. I was thrilled to see that this GE boombox picked up the WCVT reception almost perfectly, if the antenna was in a very specific position. Come that next friday night, I tuned in at midnight and listened to this show in its entirety. I was in 8th Grade, and this random find had literally changed my life forever. I had already gotten into heavy metal and punk via my older brother and some local older neighborhood kids, so Industrial/experimental music logically was the next step in my progression. I was able to record ONE tape’s worth of magic from one particular week’s show; two weeks later I tuned in, and there was just white noise instead of music. I was completely crushed - but a week later the reality sank in. I desperately tried to tune in, only to become horrified at the sound of smooth jazz and adult contemporary where WCVT once was. Seemingly overnight, funding for WCVT was cut - forcing them to kill their transmitter, and also leaving opportunity for this horrible adult contemporary station to snatch up the bandwidth like an evil hermit crab.

Upon further research, I realized that their transmitter operated at a very low wattage - something like 5 kwatts. People in Baltimore had trouble tuning in to WCVT, and Towson is less than an hour away from Baltimore. Yet somehow my GE boombox picked it up clearly, and I live almost 2 hours distance from Towson. To this day, I still see this chance encounter as some weird act of divine intervention so that I could be exposed to all this insane underground music.

Just ripped the original WCVT tape yesterday, and it's got a little radio noise and skips around a little, but who cares. I dare you to find me another WCVT Towson recording anywhere online. They don't exist! The contents of my tape include music from Godflesh, Clock DVA, Motor Morons, Helios Creed, The Wolfgang Press, Throbbing Gristle, 2nd Communication (japan), The Church, Cabaret Voltaire, Bauhaus, The Cramps, A.R. Kane, Circle Jerks, D.O.A., Broken Toys and more. Plus a priceless PSA warning against the dangers of STDs.

DOWNLOAD TAPE RIP
info? mainly here.

Llwybr Llaethog - Mewn Dyb (In Dub)


Llwybr Llaethog - Mewn Dyb (In Dub)
Label - ROIR
Released - 1991
Style - Welsh Dub, Hardcore, Industrial, Funk

Question: What do you get when you cross Front 242, Adrian Sherwood and Pere Ubu? Answer: I don't know either, but I didn't expect it to speak Welsh. Llwybr Llaethog may be the world's only Welsh reggae band, and that's probably just as it should be. This collection of dub tracks with completely unpronounceable titles (including the hits "Medru Dal y Pwysa" and "Mae'd Bywyd Braf") may look forbidding, and the photo of the band in cowboy outfits even more so, but don't be scared: this is some of the most interesting and compelling instrumental reggae you'll ever hear. From the powerhouse rockers beat and twisted samples of "Marion McKeone" to the Middle Eastern ullulations and turntable scratches of "Rhyfel (War in Baghdad Isn't My Bag Daddio)," the whole album bounces and bops with scintillating riddims even as it bubbles and seethes with subtle political anger. On the other hand, maybe you should be scared after all. ~ Rick Anderson, All Music Guide

Tracklist:
1 Ai Bod Dub (To Be Dub) (5:46)
2 Mynd Adre' Dub (Going Home Dub) (4:46)
3 Marion Mckeone (4:59)
4 Rhyfel (War In Baghdad Isn't My Bag Daddio) (5:47)
5 Baile Atha Cliath (Dublin) (7:30)
6 Cariad (Lover) (7:38)
7 Medru Dal Y Pwysa (Can Stand The Pressure) (5:57)
8 Mae 'N Bywyd Braf (It's A Great Life) (4:24)

download
info

Wednesday, June 27, 2007

Coil - (Unreleased?) Themes for Hellraiser


Coil - (Unreleased?) Themes for Hellraiser [The Consequences of Raising Hell]
Label - Torso/Solar Lodge
Released - 1990
Style - Industrial/Experimental/BM-Inducing Scary Shit

tracklist:
1 Hellraiser Theme (2:49)
2 The Hellbound Heart (2:21)
3 Box Theme (3:04)
4 No New World (3:57)
5 Attack Of The Sennapods (1:54)
6 Main Title (3:13)

download zip
info1
info2

***This is what got me interested in 'Industrial' to begin with. Thanks, Mr. Sam Ruddick! I think I was about 13 or 14 and my brother's best friend saw me listening to Slayer and all that... told me about this band called Coil who made the "scariest music" he'd ever heard. Sold! Upon searching for this I finally found it hidden away at either Borders Books or Orpheus Records in Georgetown. I didn't necessarily think it sounded all THAT scary but the tiny note in the margin of the cd sleeve flipped me out...

"The only group I've heard on disc whose records I've taken off because they made my bowels churn. - Clive Barker"

(*note: Now that I'm older and appreciate the vast musical landscape, one look at the release catalogue of the Torso label really really impresses me...)


(random info from brainwashed.com) -
Clive Barker and Coil were friends during the early 1980s and it's been frequently noted that he was inspired to write "Hellraiser" from some of the literature and art Coil used to collect. Naturally he wanted Coil to do the score but while initial reports claim their music was "too scary" for the film, the reality is closer to that of the Hollywood studio wanting their own chums to do the work.

Coil - Stolen and Contaminated Songs



Coil - Stolen and Contaminated Songs
Label - Threshold House
Released - 1990
Style - Experimental/Deranged/Electronic

tracklist:
1. As It Really Is
2. Chaos
3. Who'll Tell
4. Exploding Frogs
5. In The Lost Kingdom
6. Love's Secret Domain (demo)
7. Nasa - Arab (live)
8. Who'll Fall
9. Original Scot Song
10. Wrim-Wram-Wrom
11. Oboe Cop
12. Her Friends the Wolves
13. Dark Nova

download zip
info


I had bought my original version of this CD from RRRecords in Lowell, MA back in 1992. The CD that arrived in the mail included NO information or print whatsoever. The sleeve artwork was a weird black/red fractaly mirrored image where I could pick out little pieces of pentagrams and pills and angels or something. Very weird. Prior to ordering this, I had become obsessed with the Windowpane single and loved the electronic dancefloor-friendlyish studio production therein. After receiving Stolen & Contaminated, it immediately became clear that this was the strangest music I had ever heard. And I loved it. Upon first listen, I knew something sounded familiar but couldn't really figure it out - and I didn't know the background on this release as it was Stolen & Contaminated from the Love's Secret Domain album. Then I figured it out, which made it even weirder somehow. Next weird thing about this was that I went to Tower Records a few months later or maybe even a year later - and saw this album there but noticed the pattern on the CD sleeve was same style but totally different than on mine. I guess they manufactured slightly different artwork for all CDs within that first ltd batch that came out? I lent mine to somebody awhile back and he moved along with it. Sucks. So I got it again later on with even different artwork. Confusion...


(from brainwashed.com) -
Coil's long awaited limited edition release is finally available. Over 60 minutes of material evolved from the Loves Secret Domain sessions, extensively reworked and remixed with the addition of previously unreleased material. Possibly not the ambient release we were expecting but a worthwhile recording all the same. A version of Further, Back and Faster opens the album. Gone is the lyric replaeed by a weird sample over an even weirder obsessive rhythm. A strange mix of Chaostrophy, covering familiar Coil temtory is present. A new track with real percussion, ethnic singing maybe and another strange lyric of "Whose To Tell" is followed by a sort of jazz piece which puts the sex back in Coil, excellent. An early version of Loves Secret Domain is the singular vocal outing by John on the album. The track itself catches Coil in a jovial mood, providing what can be basically described as a pop song, with its deep flowing bass. Some conventional dance sounds are utilised by Coil in a couple of traeks though as John says "it's dance music for the head".

If the Tainted Love video stopped the dancing in the clubs, the track using the answering machine dialogue telling of suicide will make you stop whatever you're doing in the house. A devastating track aided by sympathetic backing music very moving and emotionally draining. From then on in like prior Coil releases nothing really flows together, lengthy disembodied pieces of music, showing their versatility. S&CS's shows Coil have more tricks up their sleeves and remains a remarkable piece of work.


(from AMG) -
Truly one of the highlights in an excellent catalog of work, Stolen and Contaminated Songs isn't even a proper "album," but a collection of outtakes from the Love's Secret Domain sessions. And what sessions they were to have such a wealth of superb material that was leftover. Showcasing Coil's diversity, the album veers from the orchestrated classicisms of "Original Chaostrophy" and "Corybantic Ennui" to the slow, mutant lounge shuffle of "Omlagus Garfungiloops" and the utter despair of "Who'll Fall?" The last track there is a highlight, a detuned guitar and phone line noises underscore a harrowing answering machine message from someone who's friend has just committed suicide. Haunting in its execution and utterly compelling. The peak of the album, and one of the band's best songs, "NASA-Arab," is placed in the middle of the album, and like the main pole in a circus tent, supports everything around it. Multiple swirling keyboard lines cross paths with a groovy bassline and the strangest syncopated drums on this planet. Close listening will bring about a trance-like state in the listener. This is a great album for people new to the magic of Coil, easier than Time Machines and better produced than Horse Rotorvator. ~ James Mason, All Music Guide

Sunday, June 24, 2007

Controlled Bleeding - Trudge [1990]



Controlled Bleeding - Trudge
Label - Wax Trax!
Released - 1990
Style - Industrial/Electronic

Tracklisting:
A1 Words (Of The Dying)
A2 Crimes Of The Body
A3 The Front
A4 The Fodder Song
B1 Kiss (The Hand Of Genocide)
B2 Healing Time
B3 Assembly
B4 Christ Said

download zip
info

Thursday, June 21, 2007

Super Cat - Under Pressure/Version 12"


Super Cat - Under Pressure/Version
Label - Power House (JA)
Released - 1986 (?)
Style - Dancehall/Reggae


Jamaican DJ Super Cat started his career as a soundsystem / live-DJ in the 1970s, toasting under the alias of Cat-A-Rock. In 1981, he released his first single, "Mr. Walker", for Winston Riley's Techniques label. After a short term in jail, he used to be regular DJ on Killamanjaro sound, where he got the nickname "Wild Apache". With his spree of hits in the 2nd half of the 1980s he became one of the most popular DJs of Jamaica. In the beginning of the 1990s Super Cat moved to New York and signed a major deal with Columbia; several albums and singles followed. In the second half of the 1990s Super Cat seemingly sunk into oblivion; the attempt to start a comeback through the Neptunes' Star Trak Entertainment label did not work out. Yet, Super Cat remains one of the most legendary DJs in dancehall history. Due to this fact, as well as due to his over-restrictive dubplate cutting policy, Super Cat dubplates are a 100% killer tool in a soundclash if you are one of the very few lucky soundmen to own one.

Tracklist:
A) Super Cat - Under Pressure (Version)
B) Super Cat - Under Pressure (Original)

download zip
info

Tuesday, June 12, 2007

WCVT 89.7 FM Towson - Industrial Show [1990]


WCVT 89.7 FM Towson - Industrial Show [1990]

* This one tape is the only record I could find anywhere of this obscure radio show ever existing. If ANYONE reading this knows anything about WCVT or this Industrial show from Friday nights around late-80s/'90/'91 - please let me know. I'm dying to locate more recorded shows from that station, since they disappeared into thin air without warning :( RIP WCVT


When I was in 8th Grade, I went over to a neighbor’s house and asked if I could have this broken solid-state AM/FM receiver that was sitting in the garage. I took it home, took it apart, cleaned up all the connections and re-sautered ones that were loose. I put it back together, plugged it in and was ecstatic to see the soft amber backlit glow of the FM dial. After searching the FM range slowly for about 2 weeks, looking for signs of life in between the main stations - I finally came across something faint that really sounded strange. It was *just barely* picking up the signal from 89.7FM, Towson MD’s extremely indie college radio station. The call letters were WCVT - and I happened to stumble upon it late one friday night, during the weekly experimental/industrial show. I had to get better reception to figure out what the f*ck they were playing!

My brother had an old GE boombox that he gave me - looked like a piece of shit, but it worked. He said it picked up WHFS really well, so I gave it a shot. Low and behold, this thing had a ’sensitivity boost’ switch that would give a significant boost to the FM reception. I was thrilled to see that this GE boombox picked up the WCVT reception almost perfectly, if the antenna was in a very specific position. Come that next friday night, I tuned in at midnight and listened to this show in its entirety. I was in 8th Grade, and this random find had literally changed my life forever. I had already gotten into heavy metal and punk via my older brother and some local older neighborhood kids, so Industrial/experimental music logically was the next step in my progression. I was able to record ONE tape’s worth of magic from one particular week’s show; two weeks later I tuned in, and there was just white noise instead of music. I was completely crushed - but a week later the reality sank in. I desperately tried to tune in, only to become horrified at the sound of smooth jazz and adult contemporary where WCVT once was. Seemingly overnight, funding for WCVT was cut - forcing them to kill their transmitter, and also leaving opportunity for this horrible adult contemporary station to snatch up the bandwidth like an evil hermit crab.

Upon further research, I realized that their transmitter operated at a very low wattage - something like 5 kwatts. People in Baltimore had trouble tuning in to WCVT, and Towson is less than an hour away from Baltimore. Yet somehow my GE boombox picked it up clearly, and I live almost 2 hours distance from Towson. To this day, I still see this chance encounter as some weird act of divine intervention so that I could be exposed to all this insane underground music.

Just ripped the original WCVT tape yesterday, and it's got a little radio noise and skips around a little, but who cares. I dare you to find me another WCVT Towson recording anywhere online. They don't exist! The contents of my tape include music from Godflesh, Clock DVA, Motor Morons, Helios Creed, The Wolfgang Press, Throbbing Gristle, 2nd Communication (japan), The Church, Cabaret Voltaire, Bauhaus, The Cramps, A.R. Kane, Circle Jerks, D.O.A., Broken Toys and more. Plus a priceless PSA warning against the dangers of STDs.

download zip

info - ???

Friday, June 8, 2007

V/A - Mind Your Release * Relapse Promo sampler



V/A - Mind Your Release [Promo Sampler]
Label - Release/Relapse Records
Released - 1997
Style - Dark Ambient/Noise/Experimental/Electronic

* was never in stores
** promo sampler for Release Your Mind compilation on Relapse


Track Listing:
1) Trial Of The Bow - Borderland
2) Amber Asylum - Dream
3) Solarus - Negative Polarity
4) Namanax - Released
5) James Plotkin - Intruder?
6) Subarachnoid Space - L.A. Makes Me Uncomfortable
7) Con-Dom - Lose Control
8) Runzelstirn And Gurglestock - Zerrhohe-Schlagpunkt (Edit)
9) Dissecting Table - Mask
10) Japanese Torture Comedy Hour - Voltage Monster
11) Haters - Burst
12) Masonna - Spark


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Wednesday, June 6, 2007

My Life With The Thrill Kill Kult - Confessions Of A Knife


My Life With The Thrill Kill Kult - Confessions Of A Knife
Label - Wax Trax!
Released - 1990
Style - Druggy, Industrial Dance

"I live for drugs"
"I freaked out very very badly.... Freaked out - on acid."


(from TKK's website)
TKK formed in 1987, when two Chicago club kids took the soundtrack for an art film project they were working on, and transmuted it into one of rock’s most influential alternative industrial acts. The title of the film became the name of the band, and Franke Nardiello and Marston Daley assumed the stage roles of “Groovie Mann” and “Buzz McCoy”, rounded up some of their night crawler friends to complete the cast, and hit the highway!

Playing up the B-movie theme, TKK incorporated the use of horror film imagery and bizarre vocal samples within a unique mixture of electro-glam-punk-funk-lounge music. They created an over the top stage show full of glitz, glam, tease and sleaze. A revolving cast of musicians, performance artist, fire-breathers and their own Russ Meyer-esque back-up group of voluptuous vixens, known as the BOMB GANG GIRLZ, rounded things out.


Tracklisting:
1 A Daisy Chain 4 Satan (Acid Flowers Mix) (5:29)
2 The Days Of Swine And Roses (6:01)
3 Hand In Hand (6:15)
4 Waiting For Mommie (5:23)
5 Confessions Of A Knife (Theme Part I) (2:59)
6 Ride The Mindway (7:11)
7 Rivers Of Blood, Years Of Darkness (6:12)
8 Kooler Than Jesus (Electric Messiah Mix) (4:09)
9 Burning Dirt (5:02)
10 Confessions Of A Knife (Theme Part II) (3:42)
11 Do You Fear (The Inferno Express?) (Bonus Track) (4:32)


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*** Thanks to the big boss Carlos Nuñez for playing me this record back in the day! Come to think of it, Carlos deserves props for playing me alot of the Wax Trax stuff (Ministry/Coil - LSD/etc.)... as a matter of fact, props to the entire Nuñez clan for all their massive musical influence on me. Fugazi @ Ft. Reno weekend shows, the Danzig show, all the hardcore shows @ Sanctuary Theater, and tons of underground musical knowledge. Plus all the introductory heavy metal shit they schooled me on. Big big props! ok callate, esteban...

Tuesday, June 5, 2007

The Tear Garden - The Last Man To Fly


The Tear Garden - The Last Man To Fly
Label - Nettwerk
Released - 1992
Style - Electronic/Industrial/Experimental

Credits:
Edited By - Anthony Valcic
Engineer - Ken Marshall
Performer - David Ogilvie , Dwayne R. Goettel , Edward Ka-Spel , De Green Guy , Martijn De Kleer , Ryan Moore , The Silver Man , cEvin Key
Recorded at Mushroom Studios, Vancouver in August 1991


Tracklisting:
1 Hyperform (5:12)
2 The Running Man (8:22)
3 Turn Me On, Dead Man (6:37)
4 Romulus And Venus (6:08)
5 The Great Lie (4:49)
6 Empathy With The Devil (7:52)
7 Circles In The Sand (3:27)
8 Love Notes & Carnations (5:19)
9 A Ship Named 'Despair' (3:41)
10 White Coats & Haloes (2:19)
11 Isis Veiled (3:22)
12 Last Post (8:58)
13 3-D Technicolor Scrambled Egg / Trip Down The Hell Hole (With Canary) (7:10)


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Friday, June 1, 2007

Hilt - Journey To The Center Of The Bowl


Hilt - Journey To The Center Of The Bowl
Label - Nettwerk
Released - 1991
Style - Electronic/Industrial


Hilt, featuring members of Skinny Puppy + other various producers/engineers of the highest calibre.

Credits:
Artwork By - I, Braineater
Edited By - Anthony Valcic
Featuring - Ben Bass , David Ogilvie , Dutch Harrison , Jennifer Superstar , Mattman , Ryan Moore
Performer - Alan Nelson , D.R. Goettel , cEvin Key
Producer - Hilt
Recorded By - Ken 'Hiwatt' Marshall


Tracklisting:
1 Birdwatcher (4:12)
2 950 (4:44)
3 Superhoney (4:09)
4 Way Out There (6:00)
5 222 (2:34)
6 El Diablo (5:28)
7 Loudmouth Canyon (5:05)
8 Home (3:57)
9 314 (3:25)
10 Sandy Feet (2:27)
11 Never Gonna Fall Again (3:41)
12 Walkin On Thunder (4:22)
13 Crazy For You (3:33)
14 Real Cool Rain (2:50)
15 World's Goin Down (6:26)
16 The Ride (5:19)


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Hilt - Call the Ambulance


Hilt - Call the Ambulance
Label - Nettwerk
Released - 1989
Style - Electronic/Industrial


Hilt, featuring members of Skinny Puppy + other various producers/engineers of the highest calibre.


Tracklisting:
1 Hilter (5:11)
2 Stone Man (4:35)
3 Down On Mommy's Farm (3:19)
4 Baby Fly Away (3:02)
5 Let's Fall Out (4:07)
6 Get Stuck (4:50)
7 Septic (2:33)
8 I'm Standing On The Rim (5:33)
9 Back To Insanity (3:13)
10 Jah Mon Hasta (2:22)
11 Come Alive (3:18)
12 Smut People (Blender Licker) (4:41)
13 Get Out Of The Grave, Alan (5:36)
14 Young Hearts (3:28)
15 Squeltch (4:18)
16 Wood Soup (6:19)


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Thursday, May 31, 2007

Lard - Power Of Lard EP



Lard - Power Of Lard EP
Label - Alternative Tentacles
Released - 1989
Style - Industrial/Punk/Sludge

Artwork By [Sleeve Concept] - Biafra
Engineer - Keith Auerbach , Steve Spapperi
Featuring - Al Jourgensen , Jeff Ward , Jello Biafra , Paul Barker
Producer - Count Ringworm , Hypo Luxa & Hermes Pan
Written-By - Lard


Just like Godflesh, I first heard Lard on 89.7FM WCVT Towson back in 1990. And the track they played is still my favorite of all the Lard material I've heard. That track was the uber-long Time To Melt, clocking in at nearly 32 minutes of pure grinding sludge. Perfect for turning an otherwise cheerful party into an awkward, uncomfortable situation for a really really long time.


Tracklisting:
1 The Power Of Lard (7:28)
2 Hellfudge (4:58)
3 Time To Melt (31:59)



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Friday, May 25, 2007

Richard H. Kirk - Earlier/Later



Richard H. Kirk - Earlier/Later
Label - Mute/Grey Area
Released - 2004
Style - Electronic/Experimental/Industrial

The front/back of this CD had me sold the moment I laid eyes on it. Its borderline hilarious/very very scary. Perfection.


Tracklisting:
CD1.01 Never Lose Your Shadow (12" Mix) (10:00)
CD1.02 Street Gang (9mm 12" Mix) (RTT179 Aborted) (6:09)
CD1.03 I Want More (3:03)
CD1.04 Numero Uno Baby/Information (3:42)
CD1.05 Do As I Do (3:36)
CD1.06 On Fire (5:49)
CD1.07 Digital Globe (3:55)
CD1.08 Narcotics Rap (It Stinks In Here) (4:21)
CD1.09 Latin/MYBM (5:56)
CD1.10 Martyrs Of Palestine (12" Mix) (RTT 199) (8:11)
CD1.11 One Three Fourgasm (5:54)
CD1.12 Public Fun (1:19)
CD1.13 Electron 78 (4:49)
CD2.01 Hell In Here (5:41)
CD2.02 Cosmic Overide 1 (1:04)
CD2.03 International Smashface Detective Theme (5:13)
CD2.04 Phantom Of Liberty (0:38)
CD2.05 Concerto For Damaged Piano (Extract 1) (1:41)
CD2.06 Venusian Electrodes (1:26)
CD2.07 Immaculate Riot (4:48)
CD2.08 Radio Silence (0:26)
CD2.09 Entering Creation (Help Me I'm Melting) (9:05)
CD2.10 El (2:02)
CD2.11 Zyklus 1 (1:49)
CD2.12 Photomaton (2:28)
CD2.13 Au Service De La Révolution (3:52)
CD2.14 Lost Rhythm Of Life (3:41)
CD2.15 Trabantenstadt (3:26)
CD2.16 All Nationalities (5:40)
CD2.17 Solar Defiance (6:36)
CD2.18 Zukunft (2:37)
CD2.19 Kinshasa Express (3:03)
CD2.20 Cosmic Overide 2 (4:50)



Richard H K1rk - Earlier

Richard H K1rk - Later

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Thursday, May 24, 2007

Godflesh - Merciless


Godflesh - Merciless
Label - Earache
Released - 1994
Style - Industrial/Grind/Sludge/core

Credits:
Performer, Engineer - G C Green* , J K Broadrick*
Producer - G C Green* , J K Broadrick*

Notes:
1: recorded digitally Dec. '93.
2, 3: biomechanical mixes recorded 8, 16 and digital 24. 91 - 93.
4: "Don't Give Me Flowers" demixed Dec. '93.

All sounds are guitar samples.
Analogue to digital.
All mixed at Avalanche, Birmingham, Jan. '94.


Tracklisting:
1 Merciless (6:16)
2 Blind (7:16)
3 Unworthy (7:13)
4 Flowers (7:34)


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