Wednesday, January 9, 2008

Mute Beat - Lover's Rock


Mute Beat - Lover's Rock
Label - Pony Canyon, Inc.
Released - 2002
Style - Ska, Reggae, Dub, Jazz

Tracklist:
1. EVERYDAY
2. JAZZ MAN
3. OLD AIR
4. DUB IN THE FOG
5. RHYTHM TRAX
6. DOWN TRAIN
7. BLUE BEAT MELODY
8. KIYEN NO SORA
9. LULLABY FOR FRANCES

Download
Info - ???

Mikey Dread - Beyond World War III

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Mikey Dread - Beyond World War III
Record date: 1982
Label: Heartbeat
Album style: Dancehall, Dub, Lee Library, Rockers

Tacklist:
1. Break Down The Walls
2. Jah Jah Love (In The Morning)
3.The Jumping Master
4. Israel (12 Tribe) - Stylee (Extended Play)
5. Warrior Stylee (Extended Stereo Style)
6. Money Dread
7. Rockers Delight (Extended Play)
8. Mental Slavery (Extended Play)
9. World War III

Producer: Mikey Dread
Mixing Engineers: Bill Price, Mikey Dread, Scientist
Engineers: Mervyn Williams, Maxie
Backing Band: The Roots Radics
Studios: Channel One (Kingston, JA), King Tubby's (Kingston, JA), Aquarius (Kingston, JA), Wessex Sound (London, UK)

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info

Linval Thompson & Friends - Rockers From Channel One

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Linval Thompson & Friends - Rockers From Channel One
Label: Trojan
Record date: 1978-80
Album style: Dancehall, Deejay, Dub, Lee Library, Rockers, Roots, Vocals

Tracklist:
1. Linval Thompson - Dreader Than Dread
2. Ranking Dread - Natty On The Rock
3. The Revolutionaries - Africa Love Dub
4. Linval Thompson - I Love Marijuana
5. Ranking Dread - Marijuana In My Soul
6. Big Joe - Smoke Marijuana
7. Linval Thompson - Africa Is For Blackman
8. Ranking Dread - Africa
9. Linval Thompson - I Love Jah
10. The Revolutionaries - Wicked Dub
11. Dawn & Christine - Holy Mount Zion
12. The Revolutionaries - Shockin' Rock
13. Linval Thompson - Never Push Your Brother
14. Trinity - Freedom Style
15. The Revolutionaries - Roots Man Dub
16. Linval Thompson - Love Is The Question
17. Big Joe - Love Can Conquer
18. Ranking Dread - Poor Man
19. Linval Thompson - Stop Loving
20. Trinity - Easy Does It
21. Linval Thompson - Lion & Tiger
22. The Revolutionaries - Seventy Nine Rock

Producer : Linval Thompson
Backing Band : The Revolutionaries
Recording Studio: Channel One (Kingston, JA)
Mixing Studio: King Tubby's (Kingston, JA)

download
info

Tuesday, January 8, 2008

King Tubby & Various Artists - The Sound Of Channel One: King Tubby Connection

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King Tubby & Various Artists - The Sound Of Channel One: King Tubby Connection
Label: Motion
Record date: 1973-81
Album style: Dub, Dancehall, Lee Library, Roots, Tubby

Tracklist:
CD 1:
1. Delroy Wilson - Stop Look What You're Doin'
2. King Tubby - Stop Look Dub
3. Jim Brown - Dancehall Vibes
4. King Tubby - Vibes Dub
5. Badoo - Headline News
6. King Tubby - Headlines Dub
7. Prince Pompidou - 70 Times 7
8. King Tubby - 70 Times Dub
9. Badoo - Rockin Of The 10000
10. King Tubby - Dubbin Of The 10000
11. Calvin Stuart - Babylon A Turn Dem Back
12. King Tubby - Turn Back Dub
13. Desmond Irie & King Tubby - Dub One

CD 2:
1. Badoo - I Got Love
2. King Tubby - I Got Dub
3. Delroy Wilson - You Have My Heart
4. King Tubby - Dub My Heart
5. Calvin Stuart - The Alphabet Song
6. King Tubby - Alphabet Dub
7. Badoo - I'm Gonna Tell You My Mind
8. King Tubby - I'm Gonna Dub You My Mind
9. Desmond Irie - Babylon You Must Go Down
10. King Tubby - Dub You Must Go Down
11. Badoo - Diplomatic Link
12. King Tubby - Diplomatic Dub
13. Larry Marshall - Nanny Goat
14. King Tubby - Nanny Goat Dub

Mixing Engineer: King Tubby
Recording Studio: Channel One (Kingston, JA)
Mixing Studio: King Tubby's (Kingston, JA)

download cd1
download cd2
info

Jah Lloyd and King Tubby - A Double Helping of Jah Lloyd and King Tubby

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Jah Lloyd and King Tubby - A Double Helping of Jah Lloyd and King Tubby
Label: Teem
Record date: 1974
Album style: Dub, Lee Library, Roots, Tubby
Notes: Includes two albums: Soldier Round The Corner & Herbs Of Dub

Tracklist:
1. Sharp Razor
2. Victory Dub
3. Herbs Of Dub
4. Theme Dub
5. Black Dub
6. Dull Razor
7. Tipper Dub
8. Walking Dub
9. Zion Zone
10. Raindrops Dub
11. Ganja Crop
12. Sunshine Girl
13. Knight Of The Round Table
14. Green Bay Massacre
15. Zion Dub
16. Psalm Two
17. Soldier Round The Corner
18. Channel One
19. No Tribal War
20. To Be Your Lover
21. Judge Natty
22. Zion Rock

Producer: Jah Lloyd
Mixing Engineer: King Tubby
Drums: Carlton Barrett
Guitar: Bingy Bunny, Alva Reggie Lewis, Chinna
Piano: Theo Beckford
Organ: Theo Beckford, Ossie Hibbert
Percussions: Bongo Herman, Sticky
Mixing Studio: King Tubby's (Kingston, JA)

download
info

The Roots Radics - King Tubby's Rockers

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The Roots Radics - King Tubby's Rockers
Label: Trojan
Record date: 1979-85
Album style: Dub, Dancehall, Lee Library, Tubby

Tracklist:
1. King Tubby's Rockers
2. Time Is Cold
3. Patrolling
4. Love And Understanding
5. Jah Jah Give Us Love
6. Lovers Mood
7. Caring For My Sister
8. Learning
9. A Friend In Need
10. I'm A Man
11. Come On Baby (Dub Style)
12. No Follow Fashion
13. Praising Version
14. Violence And Crime
15. Babylon Don't Touch My Sensi
16. Informer Dub
17. Babylon Wrong
18. Second Hand Girl

download
info

Monday, January 7, 2008

King Tubby - Soundclash Dubplate Style Vol. 1 + Vol. 2 (vocals + dubs)

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King Tubby - Soundclash Dubplate Style Vol. 1 + Vol. 2 (vocals + dubs)
Label: Sonic Sounds
Record date : 1985-89
Album style : Dancehall, Digital Dub, Lee Library, Tubby
Notes: Released approximately 1990; this is by far the best collection of soundbwoy tunes. Live recordings from dubplates with intros by the legendary Fuzzy Jones!

KING TUBBY and THE FIREHOUSE REVOLUTION

By the early eighties dub was no longer perceived as a cutting edge music and its innovations had long been assimilated into the musical mainstream. Tubby realised that the days of his now classical production techniques were over and decided to take a new step: in 1985 he build a new studio in the heart of the Kingston ghetto,the Waterhouse District. During the run up to elections gunshots would echo throughout the neighbourhood with such alarming frequency that the area was renamed FIREHOUSE by its local residents. The new studio there was then equipped with lots of new technology like a bigger mixing desk - and digital synths and drum machines.

After the studio-producer Professor went to the USA to study electronics and computer Peego and Fatman followed and a man named Phantom, who built riddims at Channel One before. The sound they created is - especially from today's point of view - a completely new dimension of reggae and dub: it's 100% bone-dry digital music (due to the sound of the machines used for production) but it's also a pure, hypnotical and new form of dub, a paradox really. It took a while for me to like that special sound, but then the tracks are made to play them loud at sound systems and when I heard 'SOUNDCLASH DUBPLATE STYLE', THE classic digital King Tubby-LP, loud it got to me. The bass is extremely powerful and kicking while the drums gain a completely new quality, simply because they all of a sudden were not shuffling anymore but set straight to a beat grid. These releases have been highly influential for what we're doing here at JAHTARI and we picked up the trail from there!

The first big hit for Tubby with his new studio was Anthony Red Rose's 'TEMPO', a riddim versioned over and over until today and many other promising 7inches followed. While Tubby did a completely different approach on music and the whole marketing side of it than Jammy (music being always in the focus for him and no compromises were made for that!) also commercial success came and SOUNDCLASH DUBPLATE STYLE sold 45.000 worldwide. But then in 1989 the day came and this whole promising process stopped - when King Tubby was shot down in front of his house, the killer was never found. And with Tubby's death - this can be said from today's perspective - the complete history of Reggae and Dub as we knew it ended and was replaced by RAGGAMUFFIN.

Strangely enough Tubby and Jammy themselves (especially Jammy's 'PUNAANY' by Admiral Bailey) paved the way for that and established the rhythms. But in the end Raggamuffin and its 100% mass-market oriented productions cut the last connections to Reggae and Dub and sold out their musical heritage. After Tubbys death, his daughter ran the studio then, the firehouse crew produced some more fine music, but without a guy like Tubby holding everything together that soon went down too. ~
jahtari.org

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Tracklist:
1. King Everald - Kill Ole Pan
2. Johnny Osbourne - Line Up
3. Trevor Levy - Nah Run From No Clash
4. Banana Man - Take A Lick
5. Michael Batis - Die You Die
6. Gregory Isaacs - The Ruler
7. Little John - Fade Away
8. Sugar Minott - Play Me
9. Conroy Smith - Original Sound
10. Pad Anthony - Charge Dem
11. Kill A Pan Dub
12. Tan Good Dub
13. Nah Run Weh Dub
14. Lick Shot Dub
15. Death Row Dub
16. We Rule Dub
17. Fade Out Dub
18. Play Play Dub
19. Brand New Sound Dub
20. Make Them Pay Dub

Produced by: King Tubby

download pt. 1
download pt. 2

Various - Watch How The People Dancing: Unity Sounds From The London Dancehall

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Various - Watch How The People Dancing: Unity Sounds From The London Dancehall
Label: Honest Jon's Records
Record date: 1986-89
Style: Dancehall, Digital Dub, Lee Library, UK Stylee

This excellent set compiles the output of Unity Sounds from the years 1986-89, and is a typically diverse and well selected Honest Jon’s release. Produced in conjunction with the man who started the London based label, Rib’s, Unity Sounds specialised in the mid eighties birth of Dancehall, not the gun toting Hip-Hop influenced Dancehall of modern Jamaica, but sublime digital Reggae that has been hugely influential on artists like Rocker Hi-Fi and Rhythm & Sound, whose Moritz Von Oswald has remastered this material.

Selah Collins “Pick A Sound” begins proceedings with its "version" following (as are most cuts on the album). Check the bass on Kenny Knots “Watch How The People Dancing”, its deep rhythm is stunningly hypnotic, elsewhere “Ready For The Dancehall Tonight” from the fabulously named Peter Bouncer is even better, with a timeless quality and tidy vocal melody.

Other highlights include Mikey Murka’s “Back Your Automatic” and another Kenny Knots slice of brilliance, “Ring My Number”. Add to this excellent music liner notes that take the length of the album to read, making the listening experience also an invaluable history lesson, especially when most of material included is obscure and certainly unavailable anywhere else.


'Watch How The People Dancing' is a truly essential release for any Reggae fan - the music inspirational and surprising, and unlike many Reggae re-issue labels, it is not a rehash of classic material released too many times on too many formats. Honest Jon’s obviously love the music they release and you, the reggae fan, undoubtedly will too. Recommended. ~warprecords.com


Tracklist:
1. Selah Collins - Pick A Sound
2. Selah Collins - Version
3. Mikey Murka - We Try
4. Mikey Murka - Version
5. Errol Bellot - What A Wonderful Feeling
6. Kenny Knots - Watch How The People Dancing
7. Richie Davis - Lean Boot
8. Richie Davis - Version
9. Peter Bouncer - Ready For The Dancehall Tonight
10. Peter Bouncer - Version
11. Richie Davis - You Ha Fe Cool
12. Richie Davis - Version
13. Kenny Knots - Ring My Number
14. Kenny Knots - Version
15. Mikey Murka - Back Your Automatic
16. Mikey Murka - Control The Dancehall
17. Mikey Murka - Version
18. Jack Wilson & Demon Rockers - Chuck It
19. Mikey Murka - Ride The Rhythm
20. Mikey Murka - Version
21. Kenny Knots - Run Come Call Me

download
info

Xterminator All Stars - Dub Down Babylon

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Xterminator All Stars - Dub Down Babylon
Label: Xterminator
Record date: 1999
Album style: Dancehall, Digital Dub, Lee Library, UK Stylee
Notes: Fatis Burrell (Xterminator) dubs from Sizzla, Luciano, etc.

1. Roots & Culture
2. Fire It Is Blazing
3. Psalms 25
4. Burn Satan
5. Jah Guide Us
6. Oh Jah
7. Can't Be No One Else
8. She's Like The Roses
9. Why Boast
10. Where Are Your Kings
11. What Is Your Purpose
12. When Man On Earth
13. Jah Lead Our Way
14. Freedom
15. Life Cycle

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info

Various Artists - 2 Heavyweight: Another Blood & Fire Sampler

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Various Artists - 2 Heavyweight: Another Blood & Fire Sampler
Label: Blood And Fire
Record date: 1973-79
Album style: Deejay, Dub, Lee Library, Roots, Vocal

Another Blood & Fire Sampler sampler featuring seven cuts that are exclusive to this compilation. These include an extended mix of I-Roy's 'Superfly', an I-Roy exclusive, the Leonard 'Santic' Chin production 'Late Hour', and another Santic track, the Tubby-mixed 'Shooter Dub'. From the Striker Lee camp comes a long unavailable Jah Stitch toast 'Jah Help The Dread'; fellow Greenwich Farm producer Don Mais supplies Phillip Fraser's 'You're No Good', the original vocal to the track 'Dub Livity' which appears on Dub In The Roots Tradition. This is presented 'discomix' style, Scientist at the control tower. Lastly, two newly-discovered mixes of two tracks from the Black Ark classic 'Heart Of The Congos', never-before released: the songs are 'La La Bam-Bam' and 'The Wrong Thing'. The remaining nine tracks are from the last eight releases - BAFCD 009 through BAFCD 016 - on Blood and Fire.

The Blood and Fire series has taken the standard of reggae compilations to a new level. Tasteful packaging and unblemished sound quality (re-mastering) exemplify the quality of dub music they showcase. However, for many, the music remains something of an unknown quantity, many of the artists featured in the series having either faded into obscurity or died. Careful not to isolate potential fans, this mid-price compilation is a re-introduction to original bu'n down Babylon music. Names such as King Tubby, Scientist and Prince Jammy give the sampler enough classic material to make a Motown collection jealous. With nine tracks from the last eight releases, and seven exclusives, this sampler is the perfect introduction. ~bloodandfire.co.uk

Tracklist:
1. I Roy - Late Hour
2. Glen Brown & King Tubby - World Dub/Away With The Bad
3. Jah Stitch - Ragga Muffin Style
4. The Congos - La La Bam Bam (Alternative Mix)
5. King Tubby & Santic All Stars - Shooter Dub
6. Phillip Fraser - You're No Good (Disco Mix)
7. The Congos - The Wrong Thing (Alternative Mix)
8. Prince Alla - Only Love Can Conquer
9. Jah Stitch - Jah Help The Dread
10. Scientist & The Soul Syndicate - Dub Bible
11. King Tubby & The Aggrovators - Higher Ranking
12. Prince Alla & Phillip Fraser - Black Rose
13. King Tubby & The Soul Syndicate - Great Stone
14. Glen Brown & King Tubby - Version 78 Style
15. I Roy - Superfly (Extended Mix)
16. Prince Jammy & The Aggrovators - Drums Of Africa

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info

Friday, January 4, 2008

WCVT [89.7FM TOWSON] WILL NEVER DIE.

WCVT [89.7FM TOWSON] WILL NEVER DIE.

...not as long as I keep reposting my tape rip. I see that the download links for the tape rip are still active, so might as well bring this one back. Especially after chatting with Skizz, PJ Dorsey and Stacy Meyn as a result of my original WCVT post - all of which made my day, that particular day. Hey guys!

Like this lovely little text from Stacy I received just a couple weeks ago really got me amped up about reposting...

Mine is one of the voices on your recordings. Wild to hear again. Thanks so much for sharing those--Roberta Cowan (who also worked at the station) gave me the headsup about your blog.
I'm happy to answer your questions--what a trip down the proverbial memorex lane...
I should compose a post--would be nice to say hi to PJ and Skizz--it's been forever.
Cheers,

--Stacy

WCVT 1987-1991 and briefly in 1992-1993 after it had become WTMD (spit spit)


Spit Spit indeed. WTMD took over and with it came a flood of poor programming. I'd almost rather have DEAD AIR then to hear the boring adult contemporary bullshit that filled up the 89.7 frequency gap in my fm dial weeks later. Horrible. With this post revival comes a cool article I came across. Hailing from The Towerlight, the article quotes Skizz and puts everything into perspective re: the WTMD takeover...

Broadcasting TSC's voice
Kristi Funderburk
140 Years: Towson's Story | 11/15/06


After decades of strengthening education, advancing athletics, and campus expansion, Towson finally found its voice in 1976 when the campus' FM radio station hit the airwaves.

WCVT-FM was born in a unique time for radio. According to general manager Steve Yasko, the University-owned public radio station started broadcasting just one year after the Sony Walkman was created and just a few years before music television and streaming on the Internet.

"[Technology's] totally changed everything," Yasko said. "Its totally changed the way we think of our business models. Its totally changed the way that we think about how we provide services and what we are as a radio station."

Towson State College's first huge change at the radio station happened at 6:16 p.m. on Thursday, Feb. 12, 1976, as reported by The Towerlight on Feb. 20, 1976. The College Media Center was flooded with excited students and station supporters as "Bop City Revisited" became the first song to play on the new frequency, 89.7 FM.

At the event, The Towerlight recorded then-President James Fisher when he said, "In the end, this will benefit our academic program, the students, and ultimately the greater community."

WCVT-FM put Towson radio in a new frequency, but it wasn't the campus' first station. The station originally opened in the fall of 1971 as WVTS-AM, according to the 1976 article. It didn't take long before business manager Mark Silvert and general manager Steve Curran were thinking bigger, but the two were three years shy from turning their AM reality into their FM dream.

All according to The Towerlight article, there were four requirements Silvert and Curran had to meet before the station could become FM, and two problems were encountered during the evolution process.

The first step in moving from AM to FM is finding a spot on the frequency. When WVTS thought it found the perfect radio band, Morgan State beat Towson State in receiving it. WVTS had to start again. It eventually found a home at 89.7, where Towson University's station WTMD presently remains. Then the station had to find lawyers, buy equipment and get Federal Communication Commission approval.

The work proved worthwhile when by the end of the first week, Curran said operations for the 1,850-watt station were running "really smooth."
"We set program schedules up well in advance of our going on air to minimize problems," Curran told The Towerlight.

The station, according to the 1976 edition of Tower Echoes, ran 18 hours per day, seven days per week playing a format of classical, pop, rock, progressive, jazz, and educational affairs programs.

Despite a format switch over in 1991, when the station with new call letters WTMD focused more on educational value than music played, Skizz Cyzyk, TU alum who worked at WCVT-FM in the 80s, said music was mostly a main focus for the station.

"I was gone by the time it became WTMD," Cyzyk said. "They hired a professional program director, Jim Armstrong. It was always a student election before that. They did things to weed out the music lovers and just have more communication majors on the air."

Cyzyk said he was one of the last of the station's "music lovers" and the WCVT was hard to listen to with the music played on it. Cyzyk described the switch in format and music to WTMD, originally an acronym for Where Towson Makes a Difference, as "earth shaking" for the students who previously ran the station.

"It used to be that local bands would make a demo tap and we'd play it, and they'd have a hit," Cyzyk said. "It was a sad day" when that ended.

But Cyzyk still carries the overall experience. WCVT introduced him to The Flaming Lips, which is still one of his favorite bands. He also spoke of working at the station as a great experience because he helped introduce bands like The Pixies, The Replacements, We Might Be Giants, and bands "nobody heard on the airwaves in Baltimore unless they were listening to CVT."

Even today, Cyzyk is working on a documentary about a singer he first heard at WCVT. "That's how much of an impact CVT had on my life," he said.


Clearly it had a big impact on my life as well, and I wasn't even directly involved. I just wish I had taped more 'CVT while I had the chance. Oh well. Thank the Lard (another band I heard first on WCVT!) this one tape came out just right ;)

So here's the original post...
******************************



WCVT 89.7 FM Towson - Industrial Show [1990]

* This one tape is the only record I could find anywhere of this obscure radio show ever existing. If ANYONE reading this knows anything about WCVT or this Industrial show from Friday nights around late-80s/'90/'91 - please let me know. I'm dying to locate more recorded shows from that station, since they disappeared into thin air without warning :( RIP WCVT


When I was in 8th Grade, I went over to a neighbor’s house and asked if I could have this broken solid-state AM/FM receiver that was sitting in the garage. I took it home, took it apart, cleaned up all the connections and re-sautered ones that were loose. I put it back together, plugged it in and was ecstatic to see the soft amber backlit glow of the FM dial. After searching the FM range slowly for about 2 weeks, looking for signs of life in between the main stations - I finally came across something faint that really sounded strange. It was *just barely* picking up the signal from 89.7FM, Towson MD’s extremely indie college radio station. The call letters were WCVT - and I happened to stumble upon it late one friday night, during the weekly experimental/industrial show. I had to get better reception to figure out what the f*ck they were playing!

My brother had an old GE boombox that he gave me - looked like a piece of shit, but it worked. He said it picked up WHFS really well, so I gave it a shot. Low and behold, this thing had a ’sensitivity boost’ switch that would give a significant boost to the FM reception. I was thrilled to see that this GE boombox picked up the WCVT reception almost perfectly, if the antenna was in a very specific position. Come that next friday night, I tuned in at midnight and listened to this show in its entirety. I was in 8th Grade, and this random find had literally changed my life forever. I had already gotten into heavy metal and punk via my older brother and some local older neighborhood kids, so Industrial/experimental music logically was the next step in my progression. I was able to record ONE tape’s worth of magic from one particular week’s show; two weeks later I tuned in, and there was just white noise instead of music. I was completely crushed - but a week later the reality sank in. I desperately tried to tune in, only to become horrified at the sound of smooth jazz and adult contemporary where WCVT once was. Seemingly overnight, funding for WCVT was cut - forcing them to kill their transmitter, and also leaving opportunity for this horrible adult contemporary station to snatch up the bandwidth like an evil hermit crab.

Upon further research, I realized that their transmitter operated at a very low wattage - something like 5 kwatts. People in Baltimore had trouble tuning in to WCVT, and Towson is less than an hour away from Baltimore. Yet somehow my GE boombox picked it up clearly, and I live almost 2 hours distance from Towson. To this day, I still see this chance encounter as some weird act of divine intervention so that I could be exposed to all this insane underground music.

Just ripped the original WCVT tape yesterday, and it's got a little radio noise and skips around a little, but who cares. I dare you to find me another WCVT Towson recording anywhere online. They don't exist! The contents of my tape include music from Godflesh, Clock DVA, Motor Morons, Helios Creed, The Wolfgang Press, Throbbing Gristle, 2nd Communication (japan), The Church, Cabaret Voltaire, Bauhaus, The Cramps, A.R. Kane, Circle Jerks, D.O.A., Broken Toys and more. Plus a priceless PSA warning against the dangers of STDs.

DOWNLOAD TAPE RIP
info? mainly here.

The Revolutionaries / Tappa Zukie - Escape From Hell


The Revolutionaries / Tappa Zukie - Escape From Hell
Label - Tappa / Trojan
Recorded - 1977
Style - Reggae, Dub, Lee Library, Roots

(from Reggae-Vibes.com)
One of Jamaica's most talented artists, Tappa Zukie has had an equal impact on both sides of the recording deck, as both a hitmaking toaster and as a producer who has worked with the cream of Jamaica's vocalists. In addition, his early ties to the punk community in both London and New York was instrumental in the crossover of roots reggae into the mainstream. Born David Sinclair, Tappa was a diminutive of a nickname his grandmother gave him, while Zukie was derived from the gang he ran with as a child, the Zukies. In his teens, he began working for the sound systems, first with I-Oses Discotech, then for the Maccabees. It was through the latter that he came to the attention of producer Bunny Lee; unfortunately, his off-hours delinquency ensured that he was also coming to the attention of the police.

In 1973 he moved to London where he was immediately swept into the studio to record his debut single, "Jump & Twist". Returning to Kingston at the end of the year, the young DJ now began recording singles for a variety of producers such as Yabby You, Bunny Lee, Ossie Hibbert en JoJo Hookim. Out of those sessions came the famous 'MPLA' album. He also set up his own 'Stars' label. Financial problems forced him to hold back the album release, but he did put out some singles. It was at this point that he began producing other artists, initially working with the likes of Errol Dunkley and former Itals vocalist Ronnie Davis.

Back to London he found out that a recording session he'd done during his previous stay, with producer Clem Bushay, had since been released as the 'Man A Warrior' album, and was selling like hotcakes through the Klik label. He then released the 'MPLA' album and found himself with the best-selling reggae record in the U.K. that Christmas.

A period of astonishing productivity followed, releasing the 'Man From Bosrah', 'Earth Running', 'Escape From Hell', 'In Dub', 'Peace In The Ghetto', and 'Black Man' albums between 1977 and 1979. At the beginning of the 80s he definitely was an international presence to be reckoned with. He worked with Horace Andy, Militant Barry and put out some interesting albums himself. Later in the decade he was responsible for productions with the Mighty Diamonds, Max Romeo, Ken Boothe, Sugar Minott, and U-Roy. As the digital era took over he solely concentrated on production work, releasing tunes with Beres Hammond, The Heptones, Simpleton and June Lodge.

The album 'Escape From Hell' saw its initial release in 1977 as a ten track album. It has been somewhat overlooked due to the small numbers of its original pressings. Tappa was at the height of his peak period as a roots producer with Sly & Robbie and the Revolutionaries house band and then up-and-coming engineer Prince Jammy, who would replace Philip Smart as right hand man at King Tubby's legendary Waterhouse facility.

The opening cut, Sidewalk Dub, sets the tone as a totally dubwise reading of Tappa's devotional 'My God Is Real', followed by the instantly recognizable Massacra Dub, an enthralling cut of Prince Allah's wonderful anthem, 'Burial'. Population Dub takes the 'Take Five' riddim, itself being an adaption of Dave Brubeck's jazz favourite. Then there is Weather Umbrella a well known riddim originally made popular by Ray-I as 'Weatherman Skank', who used the Treasure Isle classic 'It's Raining'. Next up comes King Alpha In School, a spirited re-cut of the Ebony Sisters' 'Let Me Tell You Boy' that Tappa used earlier for Horace Andy's 'Stop Your Brutality', followed by the outstanding Experience Dub, a subtle counterpart to Horace's 'Natty Dread Weh She Want' (which borrowed lyrics and structure from an earlier Soul Syndicate hit whilst also making use of the melody of Alton Ellis' Studio One classic, 'Hurting Me').

The album comprises bonus dubs, all drawn from the same key period of 1976-79. Noteworthy are the super rare Double Struggle, across Gregory Isaac's great 'Love Light' rhythm, which Tappa picked up from Ossie Hibbert at Channel One. More niceness on Natty Princess Version where you'll hear an excellent re-cut of Delroy Wilson's classic 'Conquer Me'. She Want A Version is a fantastic dub cut of the popular 'Phensic', while the album closes with Rub A Dub A Weh Them Want, of course based on the everlasting 'Natty Dread A Weh She Want'.


Tracklist:
1. Sidewalk Dub
2. Massacra Dub
3. Dub Driver
4. Population Dub
5. Weather Umbrella
6. King Alpha In School
7. Experience Dub
8. Marching To Zion
9. Escape From Hell
10. Squatters Dub
11. Straight To Him Chest
12. Revolution Version
13. Double Struggle
14. Natty Princess Version
15. Real Version
16. Sensimelia Version
17. She Want A Version
18. Mariguana Version
19. Broad Back Skank
20. Rub A Dub A Weh Them Want

download
info

VA - Heavyweight Sound


Various - Heavyweight Sound - A Blood And Fire Sampler
Label - Blood & Fire
Released - 1995
Style - Roots, Reggae, Dub, Lee Library

Beginning with the release of If Deejay Was Your Trade in 1994, Blood & Fire continually set and maintained the highest standards around in the reggae reissue market. Here was a label concerned first and foremost with creating a product of such quality that future revisions would be entirely unnecessary; a label that insisted on paying both artists and producers of the music. From Intro 's exquisite design work, and Steve Barrow 's liner notes, to the music itself, these titles screamed essential. Drawing on the first seven titles, the '70s roots , dub , and DJ cuts gathered on Heavyweight Sound are the aural proof. If Deejay Was Your Trade captured a group of the era's finest mic men riding producer Bunny Lee 's rhythms (as dubbed by King Tubby ). The collaboration is represented here by I-Roy 's eye-opening plea 'War and Friction' and Tappa Zukie 's pained 'Jah Is I Guiding Star.' Tubby also gets his hands on vocal and instrumental cuts from Lee 's catalog ( 'Real Gone Crazy Dub,' 'Dub Fi Gwan' ) as well as the work of producer Yabby You . Examples of the latter include the flying cymbals of Michael Rose 's 'Born Free' ( 'Rock Vibration' ) and the Tommy McCook sax cut 'Death Trap' ( 'Living Style' ). Further dubs come courtesy of Keith Hudson (including the dizzying 'Black Right' ) and Prince Phillip (the Tubby apprentice who handled Tappa Zukie 's dubs), while inimitable vocalists include the superb stylist Horace Andy and impassioned roots singer Burning Spear . Though samplers can often be a mixed bag, Heavyweight Sound is satisfyingly consistent. It's highly recommended, but so are all the full-length albums. If you need an introduction, buy this and then begin chipping away at this label's exceptional catalog. ~ Nathan Bush, All Music Guide

Aggrovators - Performer
Black Disciples - Performer
Burning Spear - Performer
Horace Andy - Performer
I-Roy - Performer
Keith Hudson - Performer
King Tubby - Performer
Prince Jammy - Performer
Soul Syndicate - Performer
Tapper Zukie - Performer
Yabby You - Performer

Tracklist:
1 King Tubby & The Aggrovators - Real Gone Crazy Dub (3:31)
2 Tappa Zukie & The Aggrovators - Jah Is I Guiding Star (3:25)
3 Prince Philip & The Musical Intimidators - Falling Dub (3:01)
4 Burning Spear & The Black Disciples - Marcus Children Suffer (4:38)
5 Keith Hudson & The Soul Syndicate - Black Heart (2:40)
6 Horace Andy - Problems (4:09)
7 Horace Andy & Prince Jammy - Problems Dub (3:10)
8 Yabby You & King Tubby - Rock Vibration (4:24)
9 I-Roy & The Aggrovators - War & Friction (3:18)
10 Yabby You & King Tubby - Living Style (3:31)
11 Keith Hudson & The Soul Syndicate - Black Right (3:11)
12 Prince Philip & The Musical Intimidators - Judgement Dub (3:16)
13 Burning Spear & The Black Disciples - Marcus Say Jah No Dread (3:51)
14 King Tubby & The Aggrovators - Dub Fi Gwan (3:59

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Llwybr Llaethog - Mewn Dyb (In Dub)


Llwybr Llaethog - Mewn Dyb (In Dub)
Label - ROIR
Released - 1991
Style - Welsh Dub, Hardcore, Industrial, Funk

Question: What do you get when you cross Front 242, Adrian Sherwood and Pere Ubu? Answer: I don't know either, but I didn't expect it to speak Welsh. Llwybr Llaethog may be the world's only Welsh reggae band, and that's probably just as it should be. This collection of dub tracks with completely unpronounceable titles (including the hits "Medru Dal y Pwysa" and "Mae'd Bywyd Braf") may look forbidding, and the photo of the band in cowboy outfits even more so, but don't be scared: this is some of the most interesting and compelling instrumental reggae you'll ever hear. From the powerhouse rockers beat and twisted samples of "Marion McKeone" to the Middle Eastern ullulations and turntable scratches of "Rhyfel (War in Baghdad Isn't My Bag Daddio)," the whole album bounces and bops with scintillating riddims even as it bubbles and seethes with subtle political anger. On the other hand, maybe you should be scared after all. ~ Rick Anderson, All Music Guide

Tracklist:
1 Ai Bod Dub (To Be Dub) (5:46)
2 Mynd Adre' Dub (Going Home Dub) (4:46)
3 Marion Mckeone (4:59)
4 Rhyfel (War In Baghdad Isn't My Bag Daddio) (5:47)
5 Baile Atha Cliath (Dublin) (7:30)
6 Cariad (Lover) (7:38)
7 Medru Dal Y Pwysa (Can Stand The Pressure) (5:57)
8 Mae 'N Bywyd Braf (It's A Great Life) (4:24)

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Mute Beat in Dub


Mute Beat in Dub
Label - ROIR
Released - 1986
Style - Jazz, Dub, Crystal Light, Reggae, Japanese, Lee Libary, Brammer Library

(From Reggae-Reviews.com):
Reggae has long been an underground favorite in Japan, but not only are there a significant amount of fans there listening to reggae, there has been some quality reggae music coming out of Japan since the early '80s. Dub seems to be the sound of choice of the best-known of these Japanese performers, with acts like Dry & Heavy, Pecker's 21st Century Dub, and Mute Beat honing a unique and engaging style. Like the 21st Century Dub album, Mute Beat in Dub is a distinct, seamless mix of dub, roots reggae, and jazz. Led by trumpeter Kazufumi "Echo" Kodama, the music is horn-dominated, often incorporating both trumpet and trombone intertwining in a harmonic ballet, as on "Landscape." While you might think that strictly horn-led dub may have its limitations, it never gets stale, from "Metro" to the distant, vintage sound of "Still Echo" to vocal track "Mixed Up" to the Spaghetti Western-style music of "Fiolina". There's certainly a sense of avant-garde experimentalism on Mute Beat in Dub (again, like 21st Century Dub), as evidenced by the sounds-like-it-was-recorded-in-a-well percussion-fest "Dee Jay Style." If you're a dub fan, you definitely owe it to yourself to know this album. Crystal Light!

Tracklist:
1. Metro
2. Fiolina
3. Dee Jay Style
4. Beat Away
5. Landscape
6. Downtown
7. Mixed Up
8. Dub No. 5 (Take 5)
9. Schoolyard Dub (Jenka)
10. Still Echo
11. Break a Road

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